EXHIBITIONS

Here you'll find current and future events of interest to fans of Morris and his circle of influence.

Please visit our Links page (see tab above) to see what other William Morris Societies and the William Morris Gallery in Walthamstow are up to.

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UK
David Parr House
Arts and Crafts Metalwork
June 2nd - July 30, 2022
Digital exhibition free to access https://exhibitions.davidparrhouse.org/

A copper charger with repoussé central peacock pattern and motto. This design
was illustrated in The House: A Journal of Home Arts and Crafts in July 1900. The motto is
that of the Fordham family who had estates in Cambridge area. This is a variation of a
design by George Tanner, circa 1900. Image Credit – Dave Marshall
 

In the winter of 1890, the class was begun by a local estate owner, Harold Hurrell, in the
small village of Newton, Cambridgeshire. Like many philanthropic employers at the time,
Harold was keen to improve the education and quality of life for the workers in his
community. The class would evolve into the Newton School of Metal Work and continue to
operate successfully for over half a century.

The School began at the peak of the Arts & Crafts Movement as one of numerous classes
under the umbrella of the Home Arts and Industries Association but it was one of a much
smaller number to become both a thriving metal working school and a successful village
industry.

This exhibition, based on research conducted by Arts and Crafts dealer, Dave Marshall, will
explore the history of the School from beginning to end; the founders, key designers and
workers and the organizations that influenced and shaped its success.




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UK
Kelmscott House
A Place in Pattern: Islamic Art and Its Influence in British Arts & Crafts 
Online Exhibition 


Iznik Border Tile Design, pencil and watercolour on paper
William Morris Society Collection


William Morris’s designs feature striking similarities with those seen on Islamic artefacts, most notably the use of symmetry and floral motifs. Morris’s many designs were developed with a similar purpose to those of Islamic art, designs that could be applied to almost any surface- in Morris’s case curtains, cushions, ceramics and most famously wallpapers.










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