Monday, 9 May 2022

Morris & Co. Garden at the Chelsea Flower Show

 

Award-winning garden and landscape designer Ruth Willmott is designing the Morris & Co. Show Garden at RHS Chelsea 2022. Discover more about the planting and layout of the garden in her second Chelsea Flower Show blog excerpts below.

Ruth Willmott in William Morris's garden at Kelmscott Manor

Plants

William Morris had a passion for English hedgerows and an affinity to the natural world, so it’s crucial to me that the garden works with nature. I want the planting to reflect a natural, countryside setting and provide a welcoming environment for wildlife.

Morris was an early advocate of using native species and long-cultivated non-natives to attract birds and bees, which is an approach I use in all of my garden designs. So, I’ll be mixing cottage garden favourites such as iris, peony, dianthus, geranium, foxglove and the soft velvety foliage of Stachys byzantina to achieve blue, purple, earthy red and apricot tones. The garden will also feature shrubs chosen to provide shelter, shade and food for wildlife.

Trees

Look out for weeping, twisted and pollarded varieties of willow in the garden. This choice was inspired by Morris’s famous ‘Willow Boughs’ design, alongside hawthorn foliage that appeared in his ‘Jasmine’ design.

Elsewhere, cotoneaster, Berberis and viburnum will feature, while roses, which were another of Morris’s favourites, will grow in both rambling and climbing varieties. I’m particularly excited about the spectacular ‘winged thorn’ rose (Rosa sericea subsp. omeiensis f. pteracantha), with its translucent red thorns which glow like rubies in the morning and evening light.

'Trellis’ and ‘Willow Boughs’

Layout

Of course, the naturalistic world that inspired Morris was largely to be found in the rural landscape, while our Chelsea Show Garden will be in the heart of London. So, to create the sense of being immersed in a country garden, I’ll use plants in abundance. For me, whether urban or rural, a garden should always have a far greater proportion of soft planting over hard surface. The Morris & Co. Garden, much like all of my projects, will work on a ratio of 3:1 planting to hard landscaping.

Central to the design is a quadrant, inspired by another of Morris’s iconic designs, ‘Trellis’.  This will consist of a series of inter-connecting pathways forming the shape of the garden. It’s this structure that will allow me to manage the volume of plants. All gardens, in fact, benefit from structure underneath soft planting. This allows plants to ramble freely without creating a wholly untamed nature reserve!


Putting everything together

Colour and harmony will be key to the success of the garden so, as the plants slowly begin to emerge, now’s also the time to see how they work together. Most importantly, I’ll be looking at how they blend with other elements in the garden such as the central pavilion, with its laser-cut screens layered with two contrasting colours in the shape of the ‘Willow Boughs’ design.

Everything is looking positive and, with just days to go until we go on site to begin the build, the weather is looking promising too… just as long as the plants don’t peak too soon!

The Morris & Co. Garden can be found on Main Avenue at the RHS Chelsea Flower Show from 23-28 May 2022.
To find out more about the garden design practice Ruth Willmott Associates, click here.
Read Ruth’s first Chelsea Flower Show blog here.



Tuesday, 12 April 2022

Sourcing & Making Pigments & Paints: Anong Beam

 

Sourcing & Making Pigments & Paints

Art + Craft 

April 28, 2022, Time: 7:30 PM EDT
Members only Zoom Event 


Artist and paint maker Anong Migwans Beam lives and works in her home community of M'Chigeeng First Nation on Manitoulin Island. Raised by artist parents Ann and Carl Beam, she was homeschooled and apprenticed with her father in ceramic, pigment and clay gathering as well as in his painting and photography studio. In addition to the School of Fine Arts in Boston and the Ontario College of Art and Design, she studied at the Institute of American Indian Art.

Anong has also drawn inspiration from the work of William Morris.

In 2018 she founded Beam Paints, makers of plastic free paints and watercolours inspired by her culture and pigment gathering of her youth. 

“With our Indigenous paint tradition, we seek to celebrate the colours of the wide world with the intimacy of the northern forest - and in this fusion create paint that makes you and your paintings feel vibrantly alive."






Friday, 25 March 2022

WMSC 2022 Cake: Flora

 Our cake design this year is 'Flora', an 1891 pattern by William Morris.





The cake is a lemon and lilac honey sponge with a hibiscus-strawberry jelly and orange blossom buttercream. The pattern recalls illuminated medieval manuscripts with floral motifs in bright blues, greens, and reds.



The 'Flora' wallpaper, a pattern featuring a variety of flowers, with undulating green stems with large yellow flowers running vertically; pink, green, blue, yellow and orange on a pale ground. A colour woodblock print on paper.


To watch how it was made, enjoy the video below:







Thursday, 24 March 2022

Happy 188th Birthday William Morris!

 Our friends at the Robertson Davies Library at Massey College have a wonderful video about Morris and the Kelmscott Press!



Today we celebrate 188 years of William Morris. William Morris was one of the most significant figures in the arts and crafts movement, a man of far ranging creativity and knowledge. He loved reading and nature above all else which shows in his designs and artwork.

Monday, 14 March 2022

William Morris' 188th Birthday Celebration

 

William Morris' 188th Birthday Celebration

Arts & Crafts Gardens

March 27, 2022, Time: 3 PM EST
Members only Zoom Event 



WMSC board member Ksenija Klinger will give an illustrated lecture on the history and design of six Arts and Crafts gardens in the UK. Ksenija is a retired architect, urban planner and designer who continues to be passionate about beauty and well executed design.


Afterwards a toast to William Morris, and the unveiling of the 2022 cake!

Friday, 11 February 2022

UK: Online Lecture: A Remarkable Woman: The Art of May Morris

 



FEBRUARY 15, 2022 

18:00 UK time
13:00 Canada (1 pm EST)

Overshadowed for many years by her more famous father, May Morris is now beginning to gain the recognition she deserves as being an incredibly talented craftswoman in her own right. Teacher, lecturer, editor, jeweller and designer, May was accomplished in a wide range of crafts, but it is her work as an embroiderer that is considered to be her greatest achievement. May’s knowledge of needlework, her talent for designing and her brilliance with the needle led to raising the status of embroidery to fine art. This talk will cover May’s life and work, with a focus on her beautiful designs and completed embroideries, demonstrating why May should be regarded as one of the most significant artists of the Arts and Crafts Movement.

Helen Elletson has been Research and Development Curator at the William Morris Society since 2000 and Research Curator at the Emery Walker Trust since 2010. Amongst Helen’s publications are A History of Kelmscott House (2009) and Highlights of the William Morris Society’s Collection (2015), as well as articles on the Arts and Crafts movement including A Feeling for Beauty: May Morris, Emery Walker, and the Arts and Crafts of Hammersmith in Country Life (2017).

This is an online talk, held on Zoom.

Sign up here: https://williammorrissociety.org/event/online-lecture-a-remarkable-woman-the-art-of-may-morris/

Tuesday, 8 February 2022

Perspectives on Pre-Raphaelite Art Lectures

 

Part I: Perspectives on Pre-Raphaelite Art


Sunday January 16th, 2022 at 2:00 pm EST
Members only Zoom Event 

John Everett Millais, Ophelia (1851-2)


This lecture is by Dr. John Wolforth, Prof. Emeritus, McGill. This lecture will focus on the Pre-Raphaelite Brotherhood and the youthful ambitions of its founders.



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Part II: The Later Pre-Raphaelites


Tuesday February 8th, 2022 at 7:30 pm EST
Members only Zoom Event 

Dante Gabriel Rossetti, Joan of Arc (1882)

This lecture is by Dr. John Wolforth, Prof. Emeritus, McGill. This talk will look at the later years of the movement.

Couldn't make this lecture?
Some suggested reading:

Fiona MacCarthy, The Last Pre-Raphaelite
The Pre-Raphaelite Collection at UBCAngeli-Dennis Collection