We've just updated our Of Interest page (see tab above) to direct you to Morris and Morris-related events coming up around the world.
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Flaming June
Frederic Leighton, 1895 ©Museo de Arte de Ponce. The Luis A. Ferré Foundation, Inc.
Showing posts with label Pre-Raphaelites. Show all posts
Showing posts with label Pre-Raphaelites. Show all posts
Monday, 21 November 2016
Wednesday, 17 August 2016
Some Arts and Crafts Delights During a Visit to Italy. Part 1 of 2: Florence
WMSC member Gianna Wichelow spent June in Florence and Rome... and on her travels found a few exciting spots that she recommends for future trips if you're an admirer of Morris and his circle. Here are a few photographs:
St. Mark's English Church, Florence, was founded by the Reverend Charles Tooth, and its current site (a 15th-century palazzo) was purchased in 1880. John Roddam Spencer Stanhope, a second-wave Pre-Raphaelite and uncle/teacher to Evelyn de Morgan, designed and created the wall and ceiling decorations at his own expense, with stencil designs by George Frederick Bodley. The church was active by 1881, and the premises were enlarged by the purchase of the site next door. The striking paintings inside the church are by mostly unidentified Italian artists. William Holman Hunt lost his young wife in Florence, where she is buried. He set her wedding ring into the stem of a chalice he designed for the church. The terrible flooding of the Arno in 1966 damaged the lower part of the stencilled walls, now covered up.
Stanhope had close connections to Edward Burne-Jones and George Frederic Watts. And his home, Sandroyd, was designed by Philip Webb, whose only previous house design up to that point had been William Morris's Red House.
The church remains very active and is a warm and welcoming place, featuring opera performances and lots of visiting choirs. But whatever your interest, I urge you to visit it if you're in Florence.
The Salvatore Ferragamo Museum has a stunning exhibition on, "Tra Arte e Moda," which explores the links and inspirations between art and fashion, artists and designers. This is an outstanding collection of ideas and objects, and one of the display cases featured examples of esthetic dress. Photographs of Jane Morris, William's wife, were taken by Dante Gabriel Rossetti (and others) to inspire his paintings, and those paintings helped inspire a new, looser form of dress which Liberty helped popularize.
St. Mark's English Church, Florence, was founded by the Reverend Charles Tooth, and its current site (a 15th-century palazzo) was purchased in 1880. John Roddam Spencer Stanhope, a second-wave Pre-Raphaelite and uncle/teacher to Evelyn de Morgan, designed and created the wall and ceiling decorations at his own expense, with stencil designs by George Frederick Bodley. The church was active by 1881, and the premises were enlarged by the purchase of the site next door. The striking paintings inside the church are by mostly unidentified Italian artists. William Holman Hunt lost his young wife in Florence, where she is buried. He set her wedding ring into the stem of a chalice he designed for the church. The terrible flooding of the Arno in 1966 damaged the lower part of the stencilled walls, now covered up.
Stanhope had close connections to Edward Burne-Jones and George Frederic Watts. And his home, Sandroyd, was designed by Philip Webb, whose only previous house design up to that point had been William Morris's Red House.
The church remains very active and is a warm and welcoming place, featuring opera performances and lots of visiting choirs. But whatever your interest, I urge you to visit it if you're in Florence.
The Salvatore Ferragamo Museum has a stunning exhibition on, "Tra Arte e Moda," which explores the links and inspirations between art and fashion, artists and designers. This is an outstanding collection of ideas and objects, and one of the display cases featured examples of esthetic dress. Photographs of Jane Morris, William's wife, were taken by Dante Gabriel Rossetti (and others) to inspire his paintings, and those paintings helped inspire a new, looser form of dress which Liberty helped popularize.
Sunday, 8 February 2015
A Trip to NYC for The Pre-Raphaelite Legacy
Last summer, WMSC member Lera Kotsyuba visited The Pre-Raphaelite Legacy exhibition at the Metropolitan Museum of Art in NYC. She sent us this review in a timely manner - it is this blogger's fault that it is being posted so tardily.
The Pre-Raphaelite Legacy
Walking past ancient and medieval artifacts, behind the central rotunda, is the exhibition titled “The Pre-Raphaelite Legacy,” set with the intimacy of a small chapel. The secluded space and soft lighting give the gallery a feeling of quiet contemplation, with sounds from the rest of the museum muted by the gallery walls. Showcasing the true spirit behind the Pre-Raphaelite brotherhood, a meeting and collaboration between the arts and crafts is evident in the pieces chosen for the exhibition. Sketches by Dante Gabriel Rossetti are amid tapestries by Edward Burne-Jones and John Henry Dearle, and books by the Kelmscott Press stand in the centre.
A room that grants intimacy between the viewer and the objects on display, the smaller setting provides the opportunity to truly examine the works up close, an opportunity not as easily available in other parts of the gallery. Although protected by glass, the brushstrokes of The Love Song by Burne-Jones can be studied and compared to those of Lady Lilith by Rossetti. Offering quiet contemplation, the gallery space houses exemplary pieces from the Arts and Crafts movement. Textiles, from the decorative Angeli Laundantes tapestry to the woven designs of Bird by William Morris, and pottery by William de Morgan portray the romantic and imaginative spirit of the Pre-Raphaelites. With approaches to all manner of crafts, the care and artistry of each piece is evident. The Backgammon Players cabinet is exemplary of the Arts and Crafts movement, designed by Burne-Jones and Philip Webb, the cabinet is a work that showcases painting, craft, wood-working, furniture-building and iron-work all in one item. Placed at eye level, I had the opportunity to peruse every detail (but the interior). Carved, painted, and inlaid with metalwork, the cabinet showcases the individual strengths of each craft in one piece. Similarly splendid was its placement near other domestic works, such as the glazed earthenware by de Morgan and the Bird textile by Morris. Striking a balance between domestic and art object, realizing the true potential of “joy in labour.”
The beautiful “The Well at the World’s End” was my personal favourite in the exhibition. Although encased in glass, its splendor shined through. The winding foliage of the border, with its roots in medieval manuscript roots, was a true testament to the imagination and virtuosity of Morris; the beautifully rendered natural forms of foliage and fruit were not outdone by the deft hand of the illustration by Burne-Jones. Placed next to Aubrey Vincent Beardsley’s frame for Thomas Malory’s Le Morte D’Arthur, drawing focus to the lasting impression that the movement had on those that followed in later years.
I spent over an hour in this gallery alone, perusing these works of beauty, from the soulful eyes of Jane Morris, as drawn by Rossetti, to the vivacity of brushwork by Burne-Jones, the exhibition allows a personal acquaintance with many works that demonstrate the ideals of the Pre-Raphaelites.
Thank you, Lera! You can see more of Lera's photographs on her Flickr account here.
The Pre-Raphaelite Legacy
Walking past ancient and medieval artifacts, behind the central rotunda, is the exhibition titled “The Pre-Raphaelite Legacy,” set with the intimacy of a small chapel. The secluded space and soft lighting give the gallery a feeling of quiet contemplation, with sounds from the rest of the museum muted by the gallery walls. Showcasing the true spirit behind the Pre-Raphaelite brotherhood, a meeting and collaboration between the arts and crafts is evident in the pieces chosen for the exhibition. Sketches by Dante Gabriel Rossetti are amid tapestries by Edward Burne-Jones and John Henry Dearle, and books by the Kelmscott Press stand in the centre.
A room that grants intimacy between the viewer and the objects on display, the smaller setting provides the opportunity to truly examine the works up close, an opportunity not as easily available in other parts of the gallery. Although protected by glass, the brushstrokes of The Love Song by Burne-Jones can be studied and compared to those of Lady Lilith by Rossetti. Offering quiet contemplation, the gallery space houses exemplary pieces from the Arts and Crafts movement. Textiles, from the decorative Angeli Laundantes tapestry to the woven designs of Bird by William Morris, and pottery by William de Morgan portray the romantic and imaginative spirit of the Pre-Raphaelites. With approaches to all manner of crafts, the care and artistry of each piece is evident. The Backgammon Players cabinet is exemplary of the Arts and Crafts movement, designed by Burne-Jones and Philip Webb, the cabinet is a work that showcases painting, craft, wood-working, furniture-building and iron-work all in one item. Placed at eye level, I had the opportunity to peruse every detail (but the interior). Carved, painted, and inlaid with metalwork, the cabinet showcases the individual strengths of each craft in one piece. Similarly splendid was its placement near other domestic works, such as the glazed earthenware by de Morgan and the Bird textile by Morris. Striking a balance between domestic and art object, realizing the true potential of “joy in labour.”
The beautiful “The Well at the World’s End” was my personal favourite in the exhibition. Although encased in glass, its splendor shined through. The winding foliage of the border, with its roots in medieval manuscript roots, was a true testament to the imagination and virtuosity of Morris; the beautifully rendered natural forms of foliage and fruit were not outdone by the deft hand of the illustration by Burne-Jones. Placed next to Aubrey Vincent Beardsley’s frame for Thomas Malory’s Le Morte D’Arthur, drawing focus to the lasting impression that the movement had on those that followed in later years.
I spent over an hour in this gallery alone, perusing these works of beauty, from the soulful eyes of Jane Morris, as drawn by Rossetti, to the vivacity of brushwork by Burne-Jones, the exhibition allows a personal acquaintance with many works that demonstrate the ideals of the Pre-Raphaelites.
Thank you, Lera! You can see more of Lera's photographs on her Flickr account here.
Tuesday, 8 July 2014
Lately
A couple of us went to the Around 1914: Design for a New Age exhibit at the ROM. This is a small, elegant exhibit, with - naturally - lots of coverage on Morris and some beautiful items for display. It's on til next March!
~ The William Morris Society (UK) has announced details on their Joseph A. Dunlop Memorial Fellowship. You can read more here about what support they provide and how it can be applied for.
~ Currently in Liverpool at the Lady Lever Gallery, the exhibit "Rossetti's Obsession: Images of Jane Morris" will travel to the William Morris Gallery in the autum.
~ Craft Ontario's new exhibit The Art of the Book runs from July 24 to September 13. The Art of the Book 2013 exhibition, organized and curated by the Canadian Bookbinders and Book Artists Guild (CBBAG), celebrates the potential of the book as an art object, and marks the CBBAG’s 30th anniversary.
~ The Tiffany exhibit at the Driehaus Museum in Chicago has been extended to January 4, 2015!
That's all for now.
Image: Morris chair, Royal Ontario Museum
~ The William Morris Society (UK) has announced details on their Joseph A. Dunlop Memorial Fellowship. You can read more here about what support they provide and how it can be applied for.
~ Currently in Liverpool at the Lady Lever Gallery, the exhibit "Rossetti's Obsession: Images of Jane Morris" will travel to the William Morris Gallery in the autum.
~ Craft Ontario's new exhibit The Art of the Book runs from July 24 to September 13. The Art of the Book 2013 exhibition, organized and curated by the Canadian Bookbinders and Book Artists Guild (CBBAG), celebrates the potential of the book as an art object, and marks the CBBAG’s 30th anniversary.
~ The Tiffany exhibit at the Driehaus Museum in Chicago has been extended to January 4, 2015!
That's all for now.
Image: Morris chair, Royal Ontario Museum
Tuesday, 17 June 2014
A Bit of Everything
We're just a bit behind here, but there's much to catch up on!
First off, news related to the man himself:
~ Kelmscott Manor unvelied its new website... right... here!
~ The National Portrait Gallery in London will hold an exhbition this fall: Anarchy & Beauty: William Morris and His Legacy, 1860 - 1960. This sounds unmissable. Any WMSC members going over? Let us know if you are!
~ On May 28, at the William Morris Gallery in Walthamstow, Darren Hayman recorded his arrangements of Morris's Chants for Socialists, with an amateur choir. Let's hope we get to hear the results soon!
~ Holly Cecil, as part of an undergraduate research project at the University of Victoria, B.C., has created four documentary shorts exploring Morris's life and work. Fantastic work, Holly! You can watch all four here!
~ Check out the University of Maryland's William Morris Collection of books and papers here.
~ William Morris was included in an 1873 book of cartoons of leading 19th-century figures. You can see the cartoon here.
~ The society was so saddened to hear of the passing of former president and long-time member Jean Johnson on May 27, at the age of 90. Read this lovely tribute here on OCAD's site. A very moving funeral service was attended by many members. It was lovely to spend time with them all after, and with Jean's many friends and her delightful daughter Anne. There will be a celebration of Jean's life at a future time.
That's all for now folks!
First off, news related to the man himself:
~ Kelmscott Manor unvelied its new website... right... here!
~ The National Portrait Gallery in London will hold an exhbition this fall: Anarchy & Beauty: William Morris and His Legacy, 1860 - 1960. This sounds unmissable. Any WMSC members going over? Let us know if you are!
~ On May 28, at the William Morris Gallery in Walthamstow, Darren Hayman recorded his arrangements of Morris's Chants for Socialists, with an amateur choir. Let's hope we get to hear the results soon!
~ Holly Cecil, as part of an undergraduate research project at the University of Victoria, B.C., has created four documentary shorts exploring Morris's life and work. Fantastic work, Holly! You can watch all four here!
~ Check out the University of Maryland's William Morris Collection of books and papers here.
~ William Morris was included in an 1873 book of cartoons of leading 19th-century figures. You can see the cartoon here.
~ The society was so saddened to hear of the passing of former president and long-time member Jean Johnson on May 27, at the age of 90. Read this lovely tribute here on OCAD's site. A very moving funeral service was attended by many members. It was lovely to spend time with them all after, and with Jean's many friends and her delightful daughter Anne. There will be a celebration of Jean's life at a future time.
~ A lot of our members will have attended Elaine Waisglass's photography exhibition at First Canadian Place, either at the opening (May 7, which four of the usual suspects attended and are photographed above), or at a special viewing on Saturday May 24, when Elaine also graciously hosted a wonderful garden party at her home. Members were able to revel in the beautiful plants that feature so strikingly in Elaine's photographs. You can see some of those photographs by visiting Elaine's website here.
~ On May 26 we attended an excellent architectural tour of University College led by Sharon Vattay. Thanks to Susan Pekilis for the photograph!


~ We were all holding our breath in horror when news of the terrible fire at Glasgow School of Art broke out. This amazing Rennie Mackintosh-designed building sustained damage, particularly to the library, but much was saved and efforts are underway to restore this architectural gem, which has meant so much to generations of artists, students and visitors.
~ You may have heard of the Delaware Art Museum's decision to sell some of their art to pay off construction debts and to replenish their endowment. The news that Holman Hunt's Isabella and the Pot of Basil was to be sold had art lovers around the world reeling. Today the painting was sold as part of a larger group at Christies. Today, on the Christies website, the result was described thusly: The [catalogue] cover lot, Isabella and the Pot of Basil, a masterpiece by
Holman Hunt, sold for £2,882,500, a record for the artist at auction,
surpassing the previous record of £1.8 million set in 1994. Unfortunately this comes quite a bit lower than expected and Pre-Raphaelite fans around the world will wait in dread to see what lot goes up for sale next. The Delaware Art Museum, a favourite on WMSC tours, houses the largest collection of Pre-Raphaelite art in North America.
That's all for now folks!
Sunday, 27 April 2014
Catching up with Twitter
What's up on Twitter? Read on!
~ The William Morris Gallery is looking for artists to exhibit who are inspired by Morris. Check it out here.
~ More news on the Pre-Raphaelite's Society new London and the South group, with plans for pub nights, book clubs and other activities. We like the sound of that.
~ What we didn't like was hearing about the defacing of some of the PRB paintings at Delaware Art Museum. Apparently the stickers are not too hard to remove. Still... ugh.
~ This Sotheby's blog post references the Met's coming Pre-Raphaelite exhibition in this piece about the auction of Rossetti's Pandora. There's a lot of anticipation around this sale, with current estimates that it will take 4 million pounds.
~ And finally... University of Maryland's Special Collections "How we Might Live" exhibit marked Earth Day by linking to this beautiful Morris-penned poem, Earth the Healer, Earth the Keeper. Indeed!
So swift the hours are moving
Unto the time un-proved:
Farewell my love unloving,
Farewell my love beloved!
What! are we not glad-hearted?
Is there no deed to do?
Is not all fear departed
And Spring-tide blossomed new?
The sails swell out above us,
The sea-ridge lifts the keel;
For They have called who love us,
Who bear the gifts that heal:
A crown for him that winneth,
A bed for him that fails,
A glory that beginneth
In never-dying tales.
Yet now the pain is ended
And the glad hand grips the sword,
Look on thy life amended
And deal out due award.
Think of the thankless morning,
The gifts of noon unused;
Think of the eve of scorning,
The night of prayer refused.
And yet. The life before it,
Dost thou remember aught,
What terrors shivered o'er it
Born from the hell of thought?
And this that cometh after:
How dost thou live, and dare
To meet its empty laughter,
To face its friendless care?
In fear didst thou desire,
At peace dost thou regret,
The wasting of the fire,
The tangling of the net.
Love came and gat fair greeting;
Love went; and left no shame.
Shall both the twilights meeting
The summer sunlight blame?
What! cometh love and goeth
Like the dark night's empty wind,
Because thy folly soweth
The harvest of the blind?
Hast thou slain love with sorrow?
Have thy tears quenched the sun?
Nay even yet to-morrow
Shall many a deed be done.
This twilight sea thou sailest,
Has it grown dim and black
For that wherein thou failest,
And the story of thy lack?
Peace then! for thine old grieving
Was born of Earth the kind,
And the sad tale thou art leaving
Earth shall not leave behind.
Peace! for that joy abiding
Whereon thou layest hold
Earth keepeth for a tiding
For the day when this is old.
Thy soul and life shall perish,
And thy name as last night's wind;
But Earth the deed shall cherish
That thou to-day shalt find.
And all thy joy and sorrow
So great but yesterday,
So light a thing to-morrow,
Shall never pass away.
Lo! lo! the dawn-blink yonder,
The sunrise draweth nigh,
And men forget to wonder
That they were born to die.
Then praise the deed that wendeth
Through the daylight and the mirth!
The tale that never endeth
Whoso may dwell on earth.
~ The William Morris Gallery is looking for artists to exhibit who are inspired by Morris. Check it out here.
~ More news on the Pre-Raphaelite's Society new London and the South group, with plans for pub nights, book clubs and other activities. We like the sound of that.
~ What we didn't like was hearing about the defacing of some of the PRB paintings at Delaware Art Museum. Apparently the stickers are not too hard to remove. Still... ugh.
~ This Sotheby's blog post references the Met's coming Pre-Raphaelite exhibition in this piece about the auction of Rossetti's Pandora. There's a lot of anticipation around this sale, with current estimates that it will take 4 million pounds.
~ And finally... University of Maryland's Special Collections "How we Might Live" exhibit marked Earth Day by linking to this beautiful Morris-penned poem, Earth the Healer, Earth the Keeper. Indeed!
So swift the hours are moving
Unto the time un-proved:
Farewell my love unloving,
Farewell my love beloved!
What! are we not glad-hearted?
Is there no deed to do?
Is not all fear departed
And Spring-tide blossomed new?
The sails swell out above us,
The sea-ridge lifts the keel;
For They have called who love us,
Who bear the gifts that heal:
A crown for him that winneth,
A bed for him that fails,
A glory that beginneth
In never-dying tales.
Yet now the pain is ended
And the glad hand grips the sword,
Look on thy life amended
And deal out due award.
Think of the thankless morning,
The gifts of noon unused;
Think of the eve of scorning,
The night of prayer refused.
And yet. The life before it,
Dost thou remember aught,
What terrors shivered o'er it
Born from the hell of thought?
And this that cometh after:
How dost thou live, and dare
To meet its empty laughter,
To face its friendless care?
In fear didst thou desire,
At peace dost thou regret,
The wasting of the fire,
The tangling of the net.
Love came and gat fair greeting;
Love went; and left no shame.
Shall both the twilights meeting
The summer sunlight blame?
What! cometh love and goeth
Like the dark night's empty wind,
Because thy folly soweth
The harvest of the blind?
Hast thou slain love with sorrow?
Have thy tears quenched the sun?
Nay even yet to-morrow
Shall many a deed be done.
This twilight sea thou sailest,
Has it grown dim and black
For that wherein thou failest,
And the story of thy lack?
Peace then! for thine old grieving
Was born of Earth the kind,
And the sad tale thou art leaving
Earth shall not leave behind.
Peace! for that joy abiding
Whereon thou layest hold
Earth keepeth for a tiding
For the day when this is old.
Thy soul and life shall perish,
And thy name as last night's wind;
But Earth the deed shall cherish
That thou to-day shalt find.
And all thy joy and sorrow
So great but yesterday,
So light a thing to-morrow,
Shall never pass away.
Lo! lo! the dawn-blink yonder,
The sunrise draweth nigh,
And men forget to wonder
That they were born to die.
Then praise the deed that wendeth
Through the daylight and the mirth!
The tale that never endeth
Whoso may dwell on earth.
Sunday, 13 April 2014
The Week in Morris
~ The William Morris Gallery has a LOT going on. Check out their activities right here.
~ Liberty and Co. have partnered with Nike to produce some very attractive athletic shoes and clothing, featuring Liberty prints, including William Morris's Willow pattern. Gorgeous!
~ Here's a feature on the University of Delaware's Special Collections site, about Edward Burne-Jones' stunning Flower Book. Their copy is a loan from the Mark Samuels Lasner Collection.
~ We started following the Ruskin Literary and Debating Society! They're welcoming Lucinda Hawksley on May 12 at 7 p.m. to talk on Ruskin, Dickens and the Pre-Raphaelites... In CASE you're in the area!
~ Red House was recently presented with the original building contract for Red House, and they tweeted some great pictures here. (Click on each of the four images to see them expand).
~ And the Association of Art Historians held their 40th Anniversary Conference and Book Fair. From all the tweets, it sounded like a very stimulating time!
~ Liberty and Co. have partnered with Nike to produce some very attractive athletic shoes and clothing, featuring Liberty prints, including William Morris's Willow pattern. Gorgeous!
~ Here's a feature on the University of Delaware's Special Collections site, about Edward Burne-Jones' stunning Flower Book. Their copy is a loan from the Mark Samuels Lasner Collection.
~ We started following the Ruskin Literary and Debating Society! They're welcoming Lucinda Hawksley on May 12 at 7 p.m. to talk on Ruskin, Dickens and the Pre-Raphaelites... In CASE you're in the area!
~ Red House was recently presented with the original building contract for Red House, and they tweeted some great pictures here. (Click on each of the four images to see them expand).
~ And the Association of Art Historians held their 40th Anniversary Conference and Book Fair. From all the tweets, it sounded like a very stimulating time!
Sunday, 6 April 2014
The Week in Morris
As we in Canada limp towards spring, it's been mouth-watering to see wonderful pictures tweeted by Red House and Kelmscott Manor of all the lovely blossoms and greenery they have been enjoying. We'll catch up soon! In the meantime, here's what's been happening online:
~ This week the ROM's symposium for their "Around 1914: Design in a New Age" exhibit takes place. Are you going? Wish I was!
~ On the night of the 1861 census, here's the list of people residing at Red House, including house guest Algernon Swinburne. Check out how young they all were!
~ The new show by WMSC member Elaine Waisglass opened at the Roberts Gallery and runs til April 25. Click here for an article in the Toronto Star about Elaine's inspirations.
~ More here on University of College London's Publishing Project, in which students work "with the William Morris Society. Together they will produce a physical publication that highlights some aspects of the Society’s collections and history – focussing in particular on Morris’s belief in books as objects of beauty. Students will receive training in key production skills by staff at UCL, and in object handling, selecting and curating content, with support and expertise from the staff at the Society. It is hoped that this partnership will result in a product for the Society’s use and dissemination, as well as giving the students an amazing opportunity to engage with one of the most important aesthetic movements of book production there has ever been – the works of Morris and the Kelmscott Press."
~ @nouveaudigital suggests helping to spread the word on your favourite museums or galleries that feature Pre-Raphaelite works by placing a review on Trip Advisor. Check one out here!
~ Birmingham Museums and Art Gallery is featuring the OTHER Pre-Raphaelite stunners, in an exhibition on how the Pre-Raphaelites treated the male form.
~ You can explore Ruskin's drawing techniques as the Watts Gallery is hosting a Ruskin Techniques Workshop on April 26.
That's it for now! Feel free to send in news and other items of interest by e-mailing us.
~ This week the ROM's symposium for their "Around 1914: Design in a New Age" exhibit takes place. Are you going? Wish I was!
~ On the night of the 1861 census, here's the list of people residing at Red House, including house guest Algernon Swinburne. Check out how young they all were!
~ The new show by WMSC member Elaine Waisglass opened at the Roberts Gallery and runs til April 25. Click here for an article in the Toronto Star about Elaine's inspirations.
~ More here on University of College London's Publishing Project, in which students work "with the William Morris Society. Together they will produce a physical publication that highlights some aspects of the Society’s collections and history – focussing in particular on Morris’s belief in books as objects of beauty. Students will receive training in key production skills by staff at UCL, and in object handling, selecting and curating content, with support and expertise from the staff at the Society. It is hoped that this partnership will result in a product for the Society’s use and dissemination, as well as giving the students an amazing opportunity to engage with one of the most important aesthetic movements of book production there has ever been – the works of Morris and the Kelmscott Press."
~ @nouveaudigital suggests helping to spread the word on your favourite museums or galleries that feature Pre-Raphaelite works by placing a review on Trip Advisor. Check one out here!
~ Birmingham Museums and Art Gallery is featuring the OTHER Pre-Raphaelite stunners, in an exhibition on how the Pre-Raphaelites treated the male form.
~ You can explore Ruskin's drawing techniques as the Watts Gallery is hosting a Ruskin Techniques Workshop on April 26.
That's it for now! Feel free to send in news and other items of interest by e-mailing us.
Sunday, 30 March 2014
Two Weeks in Morris
So what's been flying around the Twitterverse the last two weeks?
It was very busy last week, with museums celebrating Museum Week and featuring a different angle each day. There was lots of interesting news to read, including the following:
~ Kelmscott Manor tweeted that Jan Marsh's 2012 lecture on May Morris for the Society of Antiquaries is up on YouTube! Another Society of Antiquaries video is Nigel Bamforth talking about the Morris bed at Kelmscott.
~ Our friends at Red House featured last week's WMSC Symposium cake on their Facebook page and it was viewed by 26,000 people at last count. Amazing! Many thanks to them for the feature. On this website, our post on all our previous cakes got over 500 views.
~ WMSC members may remember the 2008 trip to Chicago and Wisconsin and the visit to the SC Johnson factory in Racine. The tower there was closed to the public and now it's opening for tours for the first time.
~ William Morris's birthday was marked by many comments on Twitter on his remarkble legacy. We tweeted thusly: Happy 180th Birthday to #WilliamMorris... Great thinker and doer, whose vigorous and passionate ideals resonate timelessly. David Leopold wrote a delightful post on the Oxford University Press blog about how Morris may have celebrated his birthdays.
~ WMSC member Elaine Waisglass generously donated one of her stunning photographs to OCAD's Project 31 Auction, in support of students. Elaine's own show at the Roberts Gallery runs April 5 to 25.
~ Let the sighing commence: Delaware Art Museum has got their Pre-Raphaelite collection online for you to peruse. WMSC has taken some trips there in the past - always such a pleasure.
~ Kelmscott Manor is on the shortlist of five museums vying for Most Inspiring Museum or Heritage Visitor Attraction over the last year. This is run by the Guardian and Museum & Heritage Awards. You can vote here for your choice, up until April 11.
~ The William Morris Gallery's occasional Long Table took place last week. The description of the planned dessert was mouth-watering: Rhubarb, Pecan & Buttermilk Pudding with Clotted Cream & Granola Crumble. The next Long Table is June 12... in case you're in London. Book ahead!
~ Tony Pinkney created a "tokens and passwords" quiz on his blog, for those of you keen to test your knowledge on Morris's romances and tales. Let us know how you fared!
The WMSC board met and there will be great future events announced shortly. Keep up to date by following us here, and if you're on Twitter, please follow us at @wmsc_ca.
It was very busy last week, with museums celebrating Museum Week and featuring a different angle each day. There was lots of interesting news to read, including the following:
~ Kelmscott Manor tweeted that Jan Marsh's 2012 lecture on May Morris for the Society of Antiquaries is up on YouTube! Another Society of Antiquaries video is Nigel Bamforth talking about the Morris bed at Kelmscott.
~ Our friends at Red House featured last week's WMSC Symposium cake on their Facebook page and it was viewed by 26,000 people at last count. Amazing! Many thanks to them for the feature. On this website, our post on all our previous cakes got over 500 views.
~ WMSC members may remember the 2008 trip to Chicago and Wisconsin and the visit to the SC Johnson factory in Racine. The tower there was closed to the public and now it's opening for tours for the first time.
~ William Morris's birthday was marked by many comments on Twitter on his remarkble legacy. We tweeted thusly: Happy 180th Birthday to #WilliamMorris... Great thinker and doer, whose vigorous and passionate ideals resonate timelessly. David Leopold wrote a delightful post on the Oxford University Press blog about how Morris may have celebrated his birthdays.
~ WMSC member Elaine Waisglass generously donated one of her stunning photographs to OCAD's Project 31 Auction, in support of students. Elaine's own show at the Roberts Gallery runs April 5 to 25.
~ Let the sighing commence: Delaware Art Museum has got their Pre-Raphaelite collection online for you to peruse. WMSC has taken some trips there in the past - always such a pleasure.
~ Kelmscott Manor is on the shortlist of five museums vying for Most Inspiring Museum or Heritage Visitor Attraction over the last year. This is run by the Guardian and Museum & Heritage Awards. You can vote here for your choice, up until April 11.
~ The William Morris Gallery's occasional Long Table took place last week. The description of the planned dessert was mouth-watering: Rhubarb, Pecan & Buttermilk Pudding with Clotted Cream & Granola Crumble. The next Long Table is June 12... in case you're in London. Book ahead!
~ Tony Pinkney created a "tokens and passwords" quiz on his blog, for those of you keen to test your knowledge on Morris's romances and tales. Let us know how you fared!
The WMSC board met and there will be great future events announced shortly. Keep up to date by following us here, and if you're on Twitter, please follow us at @wmsc_ca.
Sunday, 16 March 2014
The Week in Morris (and More)
It's been a really busy week here at the William Morris Society of Canada. The board is hard at work pulling together the final details for our symposium, and planning future events. Meanwhile, news from across the city and around the world:
~ It's still so very bitterly cold here in Toronto, but this is a warming thought: the Long Table at the William Morris Gallery is a regular happening, which the gallery describes as:
"An alternative dining experience that brings William Morris' ideas of fellowship to life. Enjoy great British food, carefully selected craft beers and excellent company in a communal atmosphere. Say hello, find common ground and tuck in."
~ There's lots of excitement around the excellent John Ruskin exhibit at the National Gallery in Ottawa. Thanks for the heads up, WMSC member Lera Kotsyuba. Who's going?
~ Toronto is busting with great art shows to explore. Here are some.
~ In 1859, the Hogarth Club boasted some intriguing members!
~ One of our favourite bloggers, Kirsty Stonell Walker is giving a talk on Alexa Wilding in May in Bournemouth, in case you're in the area.
~ @WMorrisArtistry is digitizing the Kelmscott Press archives for a forthcoming book!
~ If you feel like adding something very special to your home, check out Project31, an auction of faculty art in support of OCAD students.
~ If you're in Connecticut, the Connecticut Repertory Theater is premiering a puppet stage version of Christina Rossetti's sensual and eerie poem Goblin Market. you can read more here.
~ The quote of the day has to be this one, by Morris: "Last night I dreamed I had to draw a sausage; somehow I had to eat it first, which made me anxious about my digestion."
~ And, from Ayla Lepine (teaches art history at U of Nottingham) of @heartchitecture, here's a Sunday smile: "art historians curating loo graffiti"
We hope to see you at next week's symposium, Saturday, March 22!
~ It's still so very bitterly cold here in Toronto, but this is a warming thought: the Long Table at the William Morris Gallery is a regular happening, which the gallery describes as:
"An alternative dining experience that brings William Morris' ideas of fellowship to life. Enjoy great British food, carefully selected craft beers and excellent company in a communal atmosphere. Say hello, find common ground and tuck in."
~ There's lots of excitement around the excellent John Ruskin exhibit at the National Gallery in Ottawa. Thanks for the heads up, WMSC member Lera Kotsyuba. Who's going?
~ Toronto is busting with great art shows to explore. Here are some.
~ In 1859, the Hogarth Club boasted some intriguing members!
~ One of our favourite bloggers, Kirsty Stonell Walker is giving a talk on Alexa Wilding in May in Bournemouth, in case you're in the area.
~ @WMorrisArtistry is digitizing the Kelmscott Press archives for a forthcoming book!
~ If you feel like adding something very special to your home, check out Project31, an auction of faculty art in support of OCAD students.
~ If you're in Connecticut, the Connecticut Repertory Theater is premiering a puppet stage version of Christina Rossetti's sensual and eerie poem Goblin Market. you can read more here.
~ The quote of the day has to be this one, by Morris: "Last night I dreamed I had to draw a sausage; somehow I had to eat it first, which made me anxious about my digestion."
~ And, from Ayla Lepine (teaches art history at U of Nottingham) of @heartchitecture, here's a Sunday smile: "art historians curating loo graffiti"
We hope to see you at next week's symposium, Saturday, March 22!
Sunday, 9 March 2014
The Week in Morris (and more)
The Gardiner Museum (@gardinermuseum, left) here in Toronto celebrated its 30th birthday this week by opening its doors for free and hosting a pile of interesting events. This exquisite, boutique museum, dedicated to ceramics, is a must-see for locals and visitors alike.
The Gardiner is also presenting the exhibition, Ron Thom and the Allied Arts. Ron Thom was one of Canada's greatest architects. WMSC members might remember a very fine lecture on his work a few years ago, and a tour of Massey College, which he designed with strong Arts and Crafts influences. The Gardiner's exhibition is open now and runs til April 27.
~ The ROM (Royal Ontario Museum) has announced Around 1914: Design in a New Age. From March 29 of this year until March 21, 2015, this original exhibit showcases the ROM’s decorative arts collections including works by Jensen, Tiffany, Lloyd Wright, Bugatti, Knox, Dresser and Hoffmann. There will also be a Decorative Arts Symposium, April 10 and 11, which looks unmissable. Check it out here.
~ Just in case you're in the area of Ann Arbor, Michigan, Motawi Tileworks is conducting a tour on March 29. They'll visit tile installations in and around Ann Arbor including the home of owner Nawal Motawi. Here's a sample of what you'll see!
~ Thank you to WMSC member and tweeter @LeraKotsyuba for pointing us to this exciting bit of news of recently discovered Pre-Raphaelite-inspired artwork.
~ The Guardian reported that in May, Sotheby's will be auctioning Rossetti's painting Pandora, 1871 (for which Jane Morris was the model). It is predicted that it will break previous sales records for a Rossetti work.
~ Our friends at the William Morris Society (U.S.) tweeted that Arts and Crafts Tours is leading a three-day architectural exploration of Chicago. This tour was requested by The Stickley Museum at Craftsman Farms for their members. WMSC members will remember our own fantastic tour there in 2008. There are some elements that we didn't cover and, anyway, it's never too early to revisit some of these remarkable sites.
~ This week, in celebration of World Book Day (and in preparation for this year's William Morris birthday cake) we tweeted this picture of our Art of the Book cake for our symposium a few years ago. Watch this space for a retrospective of past cakes and a reportage of this year's cake!
The Gardiner is also presenting the exhibition, Ron Thom and the Allied Arts. Ron Thom was one of Canada's greatest architects. WMSC members might remember a very fine lecture on his work a few years ago, and a tour of Massey College, which he designed with strong Arts and Crafts influences. The Gardiner's exhibition is open now and runs til April 27.
~ The ROM (Royal Ontario Museum) has announced Around 1914: Design in a New Age. From March 29 of this year until March 21, 2015, this original exhibit showcases the ROM’s decorative arts collections including works by Jensen, Tiffany, Lloyd Wright, Bugatti, Knox, Dresser and Hoffmann. There will also be a Decorative Arts Symposium, April 10 and 11, which looks unmissable. Check it out here.
~ Just in case you're in the area of Ann Arbor, Michigan, Motawi Tileworks is conducting a tour on March 29. They'll visit tile installations in and around Ann Arbor including the home of owner Nawal Motawi. Here's a sample of what you'll see!
~ Thank you to WMSC member and tweeter @LeraKotsyuba for pointing us to this exciting bit of news of recently discovered Pre-Raphaelite-inspired artwork.
~ The Guardian reported that in May, Sotheby's will be auctioning Rossetti's painting Pandora, 1871 (for which Jane Morris was the model). It is predicted that it will break previous sales records for a Rossetti work.
~ Our friends at the William Morris Society (U.S.) tweeted that Arts and Crafts Tours is leading a three-day architectural exploration of Chicago. This tour was requested by The Stickley Museum at Craftsman Farms for their members. WMSC members will remember our own fantastic tour there in 2008. There are some elements that we didn't cover and, anyway, it's never too early to revisit some of these remarkable sites.
~ This week, in celebration of World Book Day (and in preparation for this year's William Morris birthday cake) we tweeted this picture of our Art of the Book cake for our symposium a few years ago. Watch this space for a retrospective of past cakes and a reportage of this year's cake!
Sunday, 2 March 2014
The Week in Morris (and More)
This week we were so excited to read that the Metropolitan Museum of Art in New York is mounting an exhibit, The Pre-Raphaelite Legacy: British Art and Design from the Metropolitan's Collection. This runs from May 20 to October 26 of this year.
"Some thirty works from across the Museum's collections - including paintings, drawings, furniture, textiles, prints, and illustrated books, many of them rarely on view and united for the first time - will demonstrate the enduring impact of Pre-Raphaelite ideals as they were adapted by different artists and developed across a range of media. At a time of renewed appreciation for art of the Victorian age, the installation will direct fresh attention toward the Metropolitan's little-known holdings in this important area." The exhibition is made possible by the Lillian Goldman Charitable Trust.
An adjunct exhibit will be William Morris: Textiles and Wallpaper, from February 3 to July 20.
~ As Toronto emerges from another polar vortex, and more snow falls, it's nice to know spring is happening somewhere! Click here for a lovely picture of the daffodils emerging at Red House. And click here to see the front door of Red House, through which visitors are now entering, something they haven't been able to do for ten years!
~ The British Council hosted a "Twitter Tour" of the Jeremy Deller exhibit, English Magic at the William Morris Gallery. You can experience it after the fact, right here.
~ Get a fashion/Morris fix right here, in a delicious video for a past exhibit at the V&A, The Cult of Beauty.
~ Get a fashion/Morris fix right here, in a delicious video for a past exhibit at the V&A, The Cult of Beauty.
~ And, for an "awww" moment, here's a beautiful red setter, laying on his colour co-ordinated chair.
The image at the top is borrowed from the Met's site: Sir Edward Burne-Jones (British, Birmingham 1833–1898 Fulham). The Love Song, 1868–77. Oil on canvas. The Metropolitan Museum of Art, New York, The Alfred N. Punnett Endowment Fund, 1947 (47.26)
Monday, 3 February 2014
The Week on Twitter
~ We at WMSC wished the twitterverse a Happy New Chinese Year of the Horse with this delightful Burne-Jones cartoon of Morris atop an Icelandic horse
~ The Island Wool Company blogged about Morris's trip to the Faroes, with some excerpts from his journal
~ From @boccabaciata, a photograph from the Harry Potter studio tour, which includes portraits of Tennyson and Morris
~ Kelmscott Manor is launching an Artist or Craft-maker in Residence. The Residency embodies the influence Kelmscott had on Morris and his associates, and reflects its relevance to a modern audience.
~ A selection of articles on the Pre-Raphaelites on the Smarthistory site
AND...
The William Morris Gallery won the public voting stage of Connect10, a competition that teams up winning venues with 10 artists to run an event during Museums at Night. Kelvyn Smith, AKA Mr. Smith and his Letter Press Workshop will be appearing at the Gallery over the weekend of Thursday, May 15 to Saturday, May 17. Under Mr Smith’s expert guidance gallery visitors will use traditional type to create personal and political slogans that mean something to them. To set the mood they'll start the evening with a dramatic performance of one of Morris’s socialist chants. Keep checking the gallery's website for more details.
Tuesday, 28 January 2014
Pre-Raphaelite Themed MLA 2015 in Vancouver
Of major interest to us in Canada is MLA 2015 (Modern Language Association), The Pre-Raphaelites: The Ecological and the Oceanic. This will take place next January in Vancouver. A Call for Papers has been sent out:
MLA 2015, Vancouver, Canada
January 8-11, 2015
Deadline: March 15, 2014
1. Papers are sought for a session co-sponsored by the William
Morris Society and the Old Norse Discussion Group on any aspect of William
Morris and his associates in relation to Old Norse topics: literary,
linguistic, artistic, biographical or political, ranging from pre-historic
origins to the present day. Please send abstracts and C.V. by March 15,
2014 to bryane@mst.edu and florence-boos@uiowa.edu.
2. "The Pre-Raphaelites: The Ecological and the Oceanic" The William
Morris Society will also sponsor a panel on
"The Pre-Raphaelites: The Ecological and the Oceanic." For this
we seek papers on the Pre-Raphaelites, Morris and ecological concerns,
the
environment, ‘green’ politics, and/or oceanic journeys, Morris’s
influence in
Asia and Oceania, or trans-Pacific approaches to Pre-Raphaelite studies.
Please send abstracts for proposals by March 15, 2014 to florence-boos@uiowa.edu.
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